I had a wonderful run of Eulalia: A Bedtime Story at FringeNYC; I'm not sure if I can adequately express how much it meant to me. Trying to start an acting career in New York can feel like a constant parade of rejection and disappointment, and it has been so fulfilling – and necessary, on a basic, emotional level – to work on this project over the past few months. This process has been challenging, playful, and cathartic, but perhaps most importantly, it's been a powerful af

A huge thank you to Playbill for giving "Eulalia: A Bedtime Story" a shout-out in their feature on this year's FringeNYC. Read the article here, and be sure to get your tickets once they become available on September 1st! #eulalia #fringe

I couldn't be happier to announce that "Eulalia: a Bedtime Story", the solo show that I developed in my third year in grad school, has been accepted into the 2018 New York International Fringe Festival! It means so much to be able to give this show a life outside of grad school; I fell in love with Eulalia throughout the process of creating this show, and I can't wait to introduce her to more people. Tickets go on sale September 1st. Dates and times are still TBA; in the mean

One of the biggest projects in our final year of MFA training is the creation and performance of a one-person show. These shows are meant to be entirely self-generated; we write, direct, and perform them ourselves, with only occasional feedback from our faculty mentors. These shows are meant to be, in part, encapsulations of our aesthetics as theater makers – our solo shows are supposed to represent who we are, what we care about, and what sorts of stories and theater pieces